Vienna – photographs of palaces, monuments and urban architecture
In this album I present Vienna through its architecture: Schönbrunn Palace, Belvedere, Karlskirche and the historic streets of the centre. The photographs combine views of entire buildings with fragments of façades and the spaces surrounding them. Reflections in water and repeated divisions of façades help reveal the order of Viennese compositions.
When photographing, I looked for axes, symmetry and directions leading the eye into the frame. A wide angle allowed me to show buildings together with their surroundings, while tighter shots isolated individual forms. Light was also important to me: bringing out the colour of a façade, emphasising a detail or changing the appearance of a reflection.
I took the photographs with a Canon EOS R6 Mark II. EXIF data with camera settings is available alongside individual photographs. The gallery is my photographic account of Vienna, focused on the palaces and urban landscape of the Austrian capital. If a photograph suits your publication or project, please get in touch.
See also my photographs of Prague, depicting historic architecture, streets and details noticed during a walk.
Brela in Croatia – photographs of the Adriatic, Kamen Brela and Biokovo mountains
In my photographs, Brela in Croatia is a meeting of the turquoise Adriatic, pale rocks and coastal pines. The main subject of the album is Kamen Brela, a small rock with trees rising out of the sea. I show it in different lighting conditions, alongside views of stony beaches, the seaside promenade and the Biokovo massif towering above the coast.
While photographing, I returned to the contrast between stationary rocks and water. Long exposures allowed me to smooth the sea’s surface and emphasise the shapes of the shore. Other frames show clear water in daylight, pine branches above the bay and mountains coloured by sunset.
The gallery includes photographs taken with Canon EOS R6 Mark II and Canon EOS 6D cameras. The recorded settings include 30-second exposures; the parameters of each shot can be checked alongside the image. The album is my view of Brela’s landscape, from small fragments of the coast to broad views of sea and mountains.
See also my photographs of the Croatian mountains, showing the rocky Biokovo massifs and panoramas of the Makarska Riviera.
Primošten in Croatia – old town panorama and sunset
Here I photograph Primošten from the coast, showing the old town on a peninsula surrounded by the Adriatic. Its compact buildings form a distinct silhouette against the water and sky. Alongside panoramas of the town, the album includes peaceful seascapes in which the horizon, colour and light are the most important elements.
I was particularly interested in the change of mood towards the end of the day. The blues of daytime frames give way to the orange glow of sunset, and the sun leaves a bright reflection on the water. In some photographs the town is the main subject; in others I limit the composition to sea and sky, allowing their gentle tonal transitions to speak.
I took the photographs with a Canon EOS R6 Mark II, choosing the focal length according to the breadth of the view and Primošten’s place within the frame. The settings for individual photographs are available in the EXIF data. This is a short series about Croatia’s coastal landscape, combining a panorama of a Dalmatian town with an observation of light over the Adriatic.
See also my photographs of Croatia’s historic towns, devoted to stone streets, squares and historic architecture.
Brač Island – photographs of Zlatni Rat and Adriatic panoramas
I show the Croatian island of Brač from several perspectives: rocky hills, seaside promenades and the buildings of towns along the Adriatic. One of the gallery’s subjects is Zlatni Rat beach in Bol, seen from above as a pale spit surrounded by turquoise water. Broad panoramas reveal distant islands and the mountainous Dalmatian coast.
Alongside expansive views, I photographed red roofs, stone buildings and palm trees. I wanted to show the difference between the island’s rugged, rocky interior and its seaside towns. The blue sea unites this series, but each frame draws attention to a different element: the coastline, the arrangement of buildings or vegetation in the foreground.
I took the photographs with a Canon EOS R6 Mark II, using both wide-angle and longer focal lengths. You will find the settings for individual shots in the EXIF data alongside the photographs. The album is my account of a trip to Brač and a collection of landscape and urban subjects from the Croatian coast.
See also my photographs of the Croatian coast, complementing the island views with Adriatic coastal landscapes.
Krka National Park – photographs of Skradinski Buk waterfalls and woodland cascades
I photograph Krka National Park in Croatia through its water and the greenery surrounding it. In this album I show the extensive Skradinski Buk cascades, smaller woodland waterfalls and quieter stretches of the river. Alongside broad views, you will find details of flowing water, underwater vegetation and wooden paths leading through the park.
I devoted most attention to the contrast between moving water and stationary rocks and trees. With longer exposures, streams form soft, bright streaks against dark greenery. The other frames allow a closer look at clear water, reflections of light and small landscape elements passed during the walk.
I took the photographs with a Canon EOS R6 Mark II. The settings recorded in EXIF include exposures of 6 and 10 seconds at ISO 100; parameters vary from frame to frame. This gallery is my account of photographing the Krka waterfalls, but also a record of quieter places between the main cascades.
See also my photographs of the waterfall in Ustroń, where long exposures emphasise the movement of water over small cascades.
Venice – photographs of canals, bridges and historic architecture
In this album I show Venice on a cloudy day, from the broad Grand Canal to narrow canals and streets between buildings. The gallery includes the Rialto Bridge, the Bridge of Sighs, St Mark’s Square and Basilica, and the Doge’s Palace. Alongside recognisable monuments, I photographed less grand fragments of the city: peeling plaster, green shutters, moored boats and façades reflected in the water.
I was interested in how architecture connects here with movement on the canals. Gondolas, motorboats and water buses bring life between the motionless walls of palaces. The soft light beneath the clouds allowed me to study the colours and details of the buildings without basing the entire composition on harsh shadows.
I took the photographs with a Canon EOS R6 Mark II, adapting the framing to the confined space of narrow streets or the breadth of the view over the water. The shot settings are available in the EXIF data alongside the photographs. This is my record of a walk through Venice, covering both its famous places and quieter corners noticed along the way.
See also my photographs of gondolas in Venice, focused on boats, moorings and reflections on the water.
Paragliders on Monte Baldo – photographs of flights over Lake Garda
In this album I show paragliders on Monte Baldo in Italy, with Lake Garda and mountain slopes in the background. Colourful wings appear above a grassy slope, rocky cliffs and the broad surface of the lake. The series includes shots near the launch site and flights in which the paraglider becomes a tiny point in a vast space.
When photographing, I sought a balance between the movement of the pilot and the landscape. Closer frames reveal the wing and harness; wider views show the height, distant ridges and clouds obscuring the mountains. The green, turquoise and orange of the paragliders stand out clearly against the subdued background.
I took the photographs with a Canon EOS R6 Mark II, changing the focal length according to the distance of the paraglider and the selected part of the panorama. The settings can be checked in the EXIF data alongside the photographs. This combines sports and landscape photography: an observation of flight and my record of the mountain surroundings of Lake Garda.
See also my photographs of paragliders above Skrzyczne, showing colourful wings against the Beskid valleys and sky.
Lake Garda – photographs of mountains, waterfronts and turquoise water
In this gallery I show Lake Garda in Italy through its mountain surroundings and lakeside towns. Steep rock faces, wooded slopes and clouds above the ridges provide a backdrop for the turquoise water. The photographs include views from above, harbours with boats, a shingle shore and colourful buildings standing right beside the lake.
While photographing, I paid attention to the changing light. Rays breaking through the clouds illuminate parts of the mountains while more distant ranges disappear into mist. Waves in the foreground, tree silhouettes and small sailing boats help convey the depth and scale of the landscape.
I took the photographs with a Canon EOS R6 Mark II, combining broad panoramas with closer views of rocky slopes and buildings. Detailed settings are available in the EXIF data alongside the photographs. This is my account of Lake Garda, focused on the meeting of lake, mountains and architecture rather than one view or one town.
See also my photographs of Desenzano del Garda, combining lake views with the harbour and urban architecture.
Desenzano del Garda – photographs of the harbour and town by day and night
Desenzano del Garda has two faces in this album: a bright harbour with sailing boats and an evening town reflected in the water. I photographed the stone lighthouse, boats along the waterfront, pastel-coloured buildings, squares and outdoor restaurant seating after dark. Views of Lake Garda and distant mountains beneath expansive clouds complete the series.
During the day, I was interested in the lines of masts, the colour of the water and the buildings surrounding the harbour. In the evening, I turned my attention to streetlights, illuminated façades and their reflections between the moored boats. The night photographs also show urban details: arcades, tables, a palm tree in the square and a lit fountain.
I took the photographs with a Canon EOS R6 Mark II; EXIF data with the settings is available alongside the images. This is my account of Desenzano, combining urban photography with the lake landscape. Rather than one representative view, I show different fragments of the town and how its atmosphere changes with the light.
See also my photographs of Lake Garda, showing broader landscapes of water, mountains and waterfront buildings.
Gondolas in Venice – photographs of moorings, boats and reflections
I dedicate this album to gondolas moored along Venetian waterfronts. Black hulls, colourful covers and wooden posts form repeated arrangements on the greenish water. Palace façades along the Grand Canal, churches and distant bell towers appear in the background, keeping the boats part of the urban landscape.
When photographing gondolas, I focused on their shapes and the rhythm of the moorings. Sometimes I chose a single boat between landing stages, at other times a row of hulls and tall posts. Reflections on the rippling water change the character of these compositions. Alongside colour photographs, I also present a black-and-white frame in which lines and contrast play a greater role.
I took the photographs with a Canon EOS R6 Mark II, and you will find their settings in the EXIF data. This is a quieter part of my view of Venice: not an account of a boat trip, but an observation of boats waiting by the shore and the architecture visible above them.
See also my photographs of Venice, showing the canals, narrow streets and architecture surrounding the gondola moorings.
Śnieżka in winter – photographs of the Karkonosze above the clouds
In this album, Śnieżka in winter means snow-covered slopes, frosted rocks and mountain ridges rising above a layer of clouds. I photographed views from the summit and its surroundings as the low sun illuminated the snow while the valleys remained hidden beneath a white veil. The gallery also includes the distinctive disc-shaped observatory buildings and the chapel on the summit.
What interested me most was the contrast between the rugged foreground and the soft clouds in the distance. Wind patterns in the snow, protruding stones and darker mountain ranges give successive frames depth. Warm light near the horizon, juxtaposed with cool whites, allows me to show the winter landscape without reducing it to snow alone.
I was very lucky that day — I was completely alone. I could quietly observe the space and choose the fragments of the view that moved me most. This album records that silence and my perspective on the winter Karkonosze: from small textures on the slope to broad panoramas above the clouds.
See also my photographs of the Tatra Mountains, where mountain panoramas and changing light reveal another side of the landscape.
Prague – photographs of the Old Town, Charles Bridge and Prague Castle
In this album I show Prague during walks through its historic streets and along the Vltava. The photographs include Old Town Square with its astronomical clock, Charles Bridge, the Powder Tower and Prague Castle with St Vitus Cathedral. I also venture beyond the Old Town, photographing Wenceslas Square, the National Museum building and the interiors of the historic railway station.
I am interested both in the city panorama and in details seen up close. I juxtapose red roofs and Gothic towers with mosaics, decorated façades and vaulted ceilings. Passers-by, trams and small cafés remain in the frames because, alongside architecture, I want to show the everyday movement of the city. Evening photographs introduce a different mood through illuminations and reflections of lights in the water.
The series combines photographs taken with a Canon EOS 6D and an iPhone 11 Pro; the settings for individual shots can be checked in their EXIF data. This is my photographic account of Prague, from recognisable monuments to fragments of streets and interiors that caught my attention along the way.
See also my photographs of Vienna, showing the palaces and urban landscape of the Austrian capital.
Verona – photographs of monuments, bridges and panoramas along the Adige
In this album I show Verona from street level and from viewpoints overlooking a bend in the Adige and the city’s red roofs. The gallery includes the Arena di Verona, the courtyard with Juliet’s balcony, bridges and historic squares. Panoramas of riverside buildings alternate with photographs of houses, gateways, towers and people walking through the centre.
When photographing, I paid attention to the layout of the city around the river. Bridge arches, the line of the waterfront and colourful façades guide the eye through successive planes. In tighter frames I looked for wall paintings, shutters, arcades and other details that are easy to miss when viewing a broad panorama. Clouds above the city provide a subdued backdrop for the warm shades of brick and plaster.
I took the photographs with a Canon EOS R6 Mark II, combining wide architectural views with closer shots of the buildings. You will find the photo settings in the EXIF data. This is my record of a walk through Verona, from recognisable monuments to urban scenes and views along the Adige.
See also my photographs of Venice, where historic architecture meets canals and everyday city life.
Cranes in Gdańsk – photographs of the shipyard and the city’s industrial skyline
In this album, I show shipyard cranes in Gdańsk against halls, quays and ships. Green steel structures and their slanting booms create a distinctive rhythm above the buildings. The gallery combines closer views of groups of cranes with wider panoramas of the city’s industrial area, photographed beneath cloudy skies.
I am interested in the geometry of these structures: vertical supports, latticework and arms crossing on successive planes. Wider frames also reveal the cranes’ surroundings, so they are not isolated objects but part of the extensive shipyard space. Subdued light emphasises their silhouettes and allows attention to focus on form.
I took the photographs with a Canon EOS 6D, combining focal lengths suited to panoramas with closer views of selected structures. You can find the settings for individual photographs in the EXIF data. This is my view of Gdańsk’s industrial landscape and of objects that can be just as interesting photographic subjects as the city’s historic streets.
See also my industrial photography gallery.
Sopot in winter – photographs of the pier, beach and Baltic
I show Sopot in winter through its snow-covered pier, broad beach and calm marina water. White railings, rows of lamps and the seaside pavilion create clear lines against the blue sky. Walkers and birds remain in the photographs — small figures that convey the breadth of the coastal landscape.
While photographing, I paid attention to the low sun, long shadows and reflections on the water. Alongside snowy views, the gallery also contains frames without snow cover: wooden jetties, fishing boats on the sand and a stream flowing into the sea. A night view of the pier shows lamplight reflected in long streaks across dark water.
I took the photographs with a Canon EOS 6D; you can find the settings for individual frames in the EXIF data beside the photographs. This is my view of Sopot outside the summer season, focused on light, the space of the beach and details of coastal architecture. The winter landscape is not only grey here — sunny frames reveal the blue sea and the contrast between white and dark water.
See also my photographs of Gdańsk in winter, showing another side of the Tricity outside the summer season.
Gdańsk in winter – photographs of the Motława, historic sights and seaside walks
For me, Gdańsk in winter is above all about walks with a camera among historic townhouses and along the Motława. In this album, I show snowy quays, the historic Crane, granaries and moored ships reflected in calm water. Blue skies and windless weather reveal the colours of façades and their mirror images.
In subsequent photographs, I visit Mariacka Street and look closely at decorative terraces, the Green Gate, the town hall tower and the sculpture of Neptune. I combine wide city views with architectural details. Coastal frames complete the gallery: walkers beside the shore, seagulls above the water and a pier illuminated at night.
Gdańsk remains one of my favourite places to relax, including outside the summer season. These photographs show different faces of winter: from snow and sunshine to cloudy days without a white covering. I took the photographs with a Canon EOS 6D; you can check the settings for individual frames under the “More Info” button.
See also my photographs of Sopot in winter, in which urban architecture gives way to the pier, beach and Baltic landscapes.
Stawa Młyny in Świnoujście – photographs of the windmill, breakwater and Baltic
Stawa Młyny in Świnoujście draws the eye with its white tower and four openwork sails. In this gallery, I show it from different distances: from close-ups of the structure to wider frames in which the stone breakwater leads the eye towards the sea. People and a passing ship help convey the scale of this coastal landscape.
Light is the most important subject of these photographs for me. The white tower contrasts with the water, while the low sun and pink-orange clouds change the character of successive images. In some frames, the sails of Stawa Młyny draw attention; in others, the foreground waves and the line of the breakwater.
I took the photographs with a Canon EOS 6D, using both wide angles and longer focal lengths to isolate details. This is a small series devoted to one place and different ways of photographing it. You can find the EXIF data for individual photographs under the “More Info” button.
See also my photographs of Sopot in winter, in which the pier, beach and Baltic create a different, cooler image of the Polish coast.
Living fountain in Šibenik – photographs of turtles, water and mossy rocks
A fountain with turtles in Šibenik became the subject of this small series of photographs from Croatia. Turtles rest on rocky ledges covered in green moss, streams of water flow between them, and orange fish can be seen in the pool at the base. These small scenes were what caught my attention.
In the album, I combine wide views of the fountain with closer photographs of its inhabitants. Some frames show the whole rocky formation and surrounding trees; others show several turtles on a single ledge. Intense green moss, the texture of rocks and splashing water form a backdrop to the animals’ calm silhouettes.
I took the photographs with a Canon EOS 6D, using focal lengths from 35 to 105 mm. Changing the framing allowed me to show both the surroundings and the details of this place. You can find the settings for individual photographs under the “More Info” button.
See also my photographs of Krka National Park, in which water, rocks and lush greenery create the landscape of Croatian waterfalls.
Croatian mountains – photographs of Biokovo and the Makarska Riviera
I photograph the Croatian mountains above the Makarska Riviera alongside the Adriatic, green slopes and coastal buildings. In this gallery, I show landscapes around Brela and the rocky Biokovo massif. Pale faces and ridges dominate the narrow coastal strip, while houses, harbours and boats convey the scale of the mountains.
I alternate wide panoramas with closer photographs of rocks. In some images, the coastline and blue sea lead the eye; in others, gullies, slanting rock layers and shadows on steep faces draw attention. Green forests at the foot contrast with the pale parts of the massif. Evening frames show the same mountain landscapes in warmer, sometimes pink light.
I took the photographs with Canon EOS 6D and Canon EOS R6 Mark II cameras. I used both wide angles and longer focal lengths, reaching 200 mm, to isolate parts of ridges and rocky slopes. You can find the settings for individual photographs under the “More Info” button.
See also my photographs of Brela, in which I move closer to the coast, showing the Adriatic, coastal rocks and Kamen Brela.
Historic towns of Croatia – photographs of streets, squares and landmarks
Historic Croatian towns are stone streets, illuminated squares and historic buildings beside coastal promenades. In this gallery, I present my photographs of architecture and everyday life in Croatian old towns — from wide views to small façade details.
The photographs show church towers, columns, arcades and stone portals, as well as wells, stairs and narrow passages between houses. Green shutters, balcony flowers and washing hanging above courtyards reveal a more intimate side of these places. Rooftop panoramas, harbours with boats and ferries, and walks along the Adriatic complete the collection.
In these frames, I pay attention to the rhythm of windows and arches, the texture of stone and the contrast between shaded lanes and sunlit squares. Passers-by and café tables reveal historic spaces as part of a living town, rather than simply a collection of old buildings.
I took the photographs with a Canon EOS 6D. Wide views show the surroundings of buildings, while closer frames reveal decorations and sections of façades. I invite you to explore the gallery and discover the varied forms of Croatian architecture.
See also my photographs of Primošten, showing the old town panorama beside the Adriatic and the coast in sunset light.
Croatian coast – photographs of the Adriatic, rocks and coastal bays
The Croatian coast in my photographs is clear Adriatic water, pale rocks and pine trees leaning over pebble beaches. The gallery combines wide coastal landscapes with closer views of waves, stones and small bays. Brela and its distinctive rocky, pine-covered islet occupy an important place, photographed in daylight and after dark.
The photographs show turquoise shallows, rocky headlands, promenades and mountainous shores, as well as boats, a ferry and a distant sailing ship. Alongside sunny frames are pastel evening skies, luminous reflections on the sea and night photographs of the illuminated rock. Black-and-white images draw attention to the shape of the coast and the contrast between water and stone.
I show the movement of the sea in different ways: from splashing waves to a smooth surface created with long exposure. In some photographs, exposure times reach several dozen seconds, and in selected frames they exceed two minutes. These approaches give the same coastal subjects different characters.
I took the photographs with Canon EOS 6D and Canon EOS R6 Mark II cameras. This is my view of Croatia’s coast — its light, textures and changing water. You can find the settings for individual images in the EXIF data available beside the photographs.
See also my photographs of the Croatian mountains, showing the rocky Biokovo massif and views of the Makarska Riviera from a different perspective.
Łomnica Dam in Karpacz in winter – photographs of cascades and ice
The Łomnica Dam in Karpacz in winter is the subject of this gallery of my photographs. I show the stone structure, water flowing over its steps and snow-covered riverbanks. The photographs include wide views of the dam and close-ups of partly frozen cascades, icicles and streams flowing between stones.
In these frames, I contrast moving water with the still forms of ice and snow. Long exposures give the flowing Łomnica a soft appearance, while the texture of stones and overhanging ice remains distinct. Wider views show the dam in its winter surroundings in the Karkonosze Mountains; details offer a closer look at shapes created by freezing water.
I photographed with a Canon EOS 6D, using a tripod and an ND 0.9 filter. The album includes both landscape photographs and closer views of water cascades. You can check the settings for individual photographs in the EXIF data under the “More Info” button.
Discover also my photographs of the Wild Waterfall in Karpacz. Winter cascades, ice formations and flowing water captured with long exposures create remarkable landscapes of the Karkonosze Mountains.
Wild Waterfall (Dziki Wodospad) in Karpacz is one of the picturesque spots in the Karkonosze Mountains. It is especially captivating in winter, when water, ice and snow create striking photographic compositions.
I took these photographs on an overcast winter morning. I made myself get up earlier than usual that day, and it was worth it – I had the place entirely to myself. Much of the waterfall on the Łomnica River was frozen, forming beautiful icicles and frozen cascades.
I used a Canon EOS 6D, a tripod and long exposures. The recorded EXIF settings include ISO 100, apertures from f/16 to f/22 and exposure times ranging from 3.2 to 81 seconds. Long exposures allowed me to capture the movement of the water beside the still shapes of the ice.
This gallery presents my photographs of Wild Waterfall in Karpacz together with the settings used to take them. You can find the EXIF data under the “More Info” button next to each photograph. This is my personal photographic view of the winter landscape of the Karkonosze Mountains.
Fireworks over Gliwice – photographs of New Year’s Eve displays
Fireworks over Gliwice light up the night sky in red, gold, white and green. In this gallery, I present my photographs of New Year’s Eve fireworks: from individual trails of light to broad bursts overlapping above the city’s rooftops.
The dark silhouettes of buildings and antennas provide a reference point for the colourful explosions. One frame also includes an illuminated church tower, with numerous distant fireworks visible behind it. Smoke scattering the light and falling arcs of sparks give each photograph a different arrangement of colours and lines.
I took the photographs from a tripod using BULB mode. Longer exposures recorded the paths of sparks rather than a single flash. In photographs with available EXIF data, I used a Canon EOS 6D, ISO 200 and apertures of f/8 and f/11. Exposures lasted from 6.3 to 33 seconds, allowing several successive bursts to combine in some frames.
This album shows Gliwice on New Year’s Eve through light and movement. I am interested both in the urban setting and the almost abstract forms appearing in the night sky. I invite you to explore the photographs and compare how exposure time changes the appearance of fireworks.
See also my lightning photographs, in which bolts illuminate the night sky, creating completely different patterns of light.
Szczyrk from Skrzyczne – photographs of Silesian Beskid panoramas and paragliders
Szczyrk and its surroundings seen from Skrzyczne are green slopes, broad valleys and successive mountain ranges on the horizon. In this gallery, I present my photographs of the Silesian Beskids, combining wide panoramas with closer views of parts of the landscape and paragliders soaring above the valley.
The photographs show wooded ridges, bright clearings and a patchwork of fields between buildings. Spruce trees in the foreground give the frames depth, while the blue sky with delicate clouds emphasises the open space. The surface of a lake is also visible in the distant background of one image.
The colourful wings of paragliders bring movement into the quiet panoramas and help convey the scale of the mountain landscape. I show both individual pilots against forests and towns, and groups of paragliders scattered across the sky. It is a photographic record of a day when landscape and sport met in one place.
I took the photographs with a Canon EOS 6D. Wide-angle views at 17 mm include slopes and an extensive sky, while longer focal lengths, up to 200 mm, allow me to focus on paragliders and selected parts of the valley. I invite you to see Szczyrk from this perspective and compare different ways of framing Beskid views.
See also my photographs of paragliders on Monte Baldo, presenting flights in mountain scenery above Lake Garda.
Tatra Mountains – photographs of mountain panoramas in light and cloud
The Tatras in my photographs are rocky ridges, wooded slopes and green valleys beneath a broad, cloudy sky. In this gallery, I present mountain landscapes in which light breaking through clouds plays a particular role. Bright streaks reveal parts of rocks, forests and meadows, leaving neighbouring areas in shadow.
Alongside broad panoramas, you will see closer views of mountain faces and successive bands of slopes. Spruce trees, fields and buildings at the foot of the mountains appear in the foreground. These elements convey the landscape’s distance and scale, while heavy clouds give individual frames a distinctive mood.
When photographing the Tatras, I focused on the relationship between the ridgeline, the arrangement of valleys and changing illumination. In some photographs, the breadth of the view matters most; in others, a bright rock face or a slanting ray of sunshine cutting across a dark slope. These are different views of the same mountain landscape.
I took the photographs with a Canon EOS 6D, using focal lengths from 27 to 105 mm. Broadly framed panoramas are therefore complemented by images focused on distant parts of the terrain. I invite you to explore the gallery and see how light and clouds change the appearance of the Tatra landscape.
See also my photographs of Szczyrk from Skrzyczne, showing green panoramas of the Silesian Beskids and paragliders above the valleys.
Transport – photographs of cars, ships and working vehicles
Transport in my photographs is not only about vehicles in motion, but also their shapes, colours and place in the surrounding space. In this gallery, I have collected photographs of a classic Fiat 500, an old-style bus, tractors, a railway carriage and vessels.
The small Fiat appears both outside a building with green shutters and against a uniform background that highlights its silhouette. Red tractors stand on sand, surrounded by a trailer, a hut and hanging nets. An old carriage on grass beside railway tracks shows another side of technology — an object that retains its character even while stationary.
The maritime part of the album includes a work vessel on the water, boats moored in a harbour and close-ups of a white hull and its reflection. Here I am interested in structural lines, the contrast between bright surfaces and dark water, and the relationship between a vehicle and the landscape. Alongside wider views, I include details that offer a less obvious view of familiar objects.
The photographs were taken with Canon EOS 6D and Canon EOS R6 Mark II cameras and an iPhone 14 Pro. The varied images share an interest in the form and everyday use of vehicles. I invite you to explore the gallery and compare land transport with harbour subjects.
See also my photographs of cranes in Gdańsk, showing industrial structures and the city’s harbour landscape.
Paragliders over Skrzyczne – photographs of flights above Szczyrk
Paragliders over Skrzyczne bring together two themes in this gallery: sports photography and the landscape of the Silesian Beskids. Colourful wings stand out against the blue sky, while the valley below, with fields and buildings, conveys the space surrounding the pilots. This is my view of paragliding around Szczyrk, photographed from the ground.
The photographs show both individual paragliders and several wings scattered across the sky. Bright green and yellow canopies create clear arcs accompanied by delicate streaks of cloud. In a wider frame, a paraglider appears between spruce trees above an extensive landscape. The contrast between the pilot’s small silhouette and the mountains and valley is as important to me as the colour of the wing itself.
I took the photographs with a Canon EOS 6D, using focal lengths of 70 and 200 mm. Fast shutter speeds, from 1/500 to 1/800 second, froze the movement of the paragliders. Close-ups emphasise canopy shapes and human silhouettes, while wider views leave more room for the landscape and sky. You can find the settings for individual photographs under the “More Info” button.
See also my photographs of Szczyrk from Skrzyczne, presenting panoramas of the Silesian Beskids, green slopes and valleys above which the paragliders soar.
Polish seaside – photographs of beaches, waves and coastal light
I photograph the Polish seaside through shoreline details and broad coastal landscapes. In this gallery, I show the Baltic primarily in Gąski and Świnoujście: sandy beaches, wooden posts, stones washed by waves and a sky changing colour above the horizon. Alongside quiet coastal views are seagulls beside the water and yachts moored in the harbour.
In some photographs, the foreground matters most. Cracked wood, dark stones and footprints in wet sand lead the eye towards the sea. Gently blurred water contrasts with the clear texture of the posts. In wider views, the beach runs beneath a wooded shore, with blue sky and pale clouds stretching above it. I like this combination of simple forms and open space.
Photographs of the sun above the sea horizon and a pier against pastel clouds bring a different mood. Warm oranges and pink tones replace the cooler colours of daytime frames. Rather than a single image of the Baltic, I have brought together different views of water, light and the shoreline. This album is for people who seek both broad landscapes and the small details of a seaside walk in photographs of the Polish coast.
See also my photographs of Stawa Młyny in Świnoujście, in which the white navigation mark and stone breakwater become the main subject of the coastal landscape.
Mostar – photographs of the Old Bridge, Neretva and mountain landscape
In this gallery, I show Mostar in Bosnia and Herzegovina from the perspective of the river and the mountains surrounding the city. The main subject is the Neretva: its turquoise water, rocky banks and buildings standing right beside the current. The stone arch of the Old Bridge rises above the river, seen against houses, minarets and mountain slopes.
In urban frames, I am interested in the connection between architecture and its natural surroundings. Pale walls and red roofs contrast with green trees and the colour of the water. The line of the river leads the eye into the image, while the bridge organises the composition. Different viewpoints reveal both the crossing itself and the arrangement of buildings on either side of the Neretva.
The album also includes wider landscapes: extensive buildings in the valley, mountains partly obscured by low clouds and a green plain beneath a broad sky. These photographs leave more room for space and show Mostar in the context of its surroundings. I took the photographs with a Canon EOS 6D, using focal lengths from 17 to 36 mm. Wide frames allowed me to combine the river, architecture and mountain backdrop in one image. Detailed camera settings are available under the “More Info” button.
See also my photographs of historic Croatian towns, in which I show stone streets, squares and historic architecture from the perspective of a photographic walk.
Bodrum – photographs of the marina, castle and coastal landscapes of Turkey
In this gallery, I show Bodrum through its harbour, historic architecture and views from the surrounding hills. White houses, blue water and dry, rocky slopes create a distinctive combination of colours. Alongside a panorama of the bay are photographs of yachts and wooden boats, the castle above the harbour and the coast at Kadikale.
In the marina, the rhythm of masts caught my attention. In one photograph, the orange sun appears between them, turning the harbour view into a composition of dark lines and warm light. Other frames show boats against buildings and mountains. Wider views reveal the coastline, city layout and gentle curve of the bay.
The later part of the album leads towards old windmills, stone walls and an ancient theatre. Repeating rows of seats and the exposed structure of a windmill’s sails introduce clear geometry into the photographs. I am interested both in detail and in the relationship between buildings and the surrounding landscape. I took the photographs with a Canon EOS 6D, using focal lengths from 24 to 105 mm. This allowed me to combine wide views with closer photographs of the harbour and architecture. You can find the settings for individual frames under the “More Info” button.
See also my photographs of Primošten in Croatia, presenting coastal buildings and city panoramas in changing light.
Warsaw from above – the city panorama from the Palace of Culture and Science
I took the Warsaw photographs in this album from the viewing terrace of the Palace of Culture and Science. This perspective reveals the street layout, dense city-centre buildings and skyscrapers rising above the urban blocks. The gallery includes the distinctive form of Złota 44 and the National Stadium visible in the distance.
When photographing the capital’s panorama, I combined wide views with closer images of selected buildings. I was interested in the divisions of glass façades, the directions of streets and differences in building heights. Clouds and changing light give each frame a different character, although they all show the city from the same vantage point.
I used a Canon EOS 6D, a wide-angle lens and a polarising filter, and also photographed selected parts of the panorama at a longer focal length. Detailed settings are available in the EXIF data beside the photographs. This is my photographic record of Warsaw seen from above, as well as a collection of images for people looking for urban subjects for publications and projects.
See also my photographs of Vienna, presenting another perspective on the architecture of a European capital.
Clear water – photographs of sea reflections, waves and a stony seabed
Clear water is a subject in its own right in this gallery. Instead of broad coastal panoramas, I show fragments of the sea: a turquoise surface, small waves, submerged stones and bright streaks of sunlight. The photographs include views from the Croatian coast, including Brela. This is a view of the coastal landscape through its smallest details.
I am most interested in the changing patterns of light. On the shallow, stony seabed, they form a delicate mesh, bands and irregular lines. Pale pebbles show through the water, while darker rocks emphasise its turquoise shades. A small striped fish appears in one frame. Other photographs are filled almost entirely with waves and reflections, so that an ordinary stretch of shore begins to resemble an abstract composition.
Here I combine close-ups of stones with views in which bright coastal water gives way to deeper blue. Changing the frame draws attention to colour, clarity or the rhythm of small waves. It is this variety that I enjoy in water photography: the same subject produces completely different images depending on light and surface movement. The album invites you to look closely at details that are easy to miss during a seaside walk.
See also my photographs of Brela in Croatia, showing the coastal landscape in wider frames and complementing these water close-ups with views of the shore.
Dubrovnik – photographs of the Old Town, walls and harbour on the Adriatic
In this gallery, I show Dubrovnik from street level and from the perspective of the city walls. The photographs combine the stone architecture of the Old Town with red rooftops and the blue Adriatic. The Old Harbour is an important subject: moored boats, calm water and massive fortifications surrounding the waterfront.
In views from above, I am interested in the rhythm of roof tiles, the street layout and squares filled with people. The bell tower, fountain and pale façades help orient the viewer within the dense buildings. Street-level frames offer a closer look at stone paving, shutters and architectural details. The presence of people gives these photographs scale and reminds us that the historic city remains a living space.
Beyond the buildings, I show walls standing on rocks, a fortress above a small bay and the open sea beneath illuminated clouds. I like the contrast between heavy stone structures, water and the broad sky. I took the photographs with a Canon EOS 6D, using focal lengths from 17 to 40 mm. Wide views allowed me to connect the foreground with the harbour, rooftop panorama or coastline. The album is my photographic view of Dubrovnik’s architecture and its relationship with the coastal landscape. You can find the camera settings under the “More Info” button.
See also my photographs of Mostar and the Old Bridge over the Neretva, in which stone architecture meets the colour of water and the city’s mountain surroundings.
Locomotives with faces – photographs in the world of Thomas and Friends
In this gallery, I show locomotives with faces among tracks, carriages and railway platforms. A blue engine styled as Thomas, a green locomotive numbered six and dark steam engines with smiling faces evoke the world of “Thomas and Friends”. These photographs combine a storybook theme with details of real railways: wheels, chimneys and rising steam.
In closer frames, the faces and contrasting colours of the locomotives draw the most attention. Wider views show their surroundings and differences in size between vehicles. In one photograph, a face emerges from a thick cloud of steam; in another, a view from above reveals the arrangement of the engine and carriages beside the platform. People and station features give these scenes scale and the character of photographic souvenirs.
The album also includes a close-up of a metal wheel and the black-and-red body of a steam engine, as well as a vintage red double-decker bus. These images broaden the railway theme to include other aspects of historic transport. I took the photographs with a DMC-FX10 at ISO 100. In this series, what matters most to me is the captured situations, colour and small details that create the cheerful atmosphere of an encounter with locomotives. You can find the settings for individual photographs under the “More Info” button.
See also my transport photographs, in which I show cars, ships and utility vehicles, paying attention to their forms and distinctive details.
Malbork Castle – winter photographs of walls, courtyards and interiors
In this gallery, I show Malbork Castle from two perspectives: as an extensive brick building above the Nogat and as a collection of interiors full of architectural details. Winter photographs include walls behind bare trees, snowy courtyards and a panorama of the castle across the river. Bright snow contrasts with brick and emphasises the lines of paths, roofs and buildings.
Inside, I direct attention towards vaults, slender columns and tall windows. Wide frames show the arrangement of halls, while closer views allow the eye to follow radiating vault ribs. The album also includes the castle church, a well surrounded by cloisters and a display of the historic kitchen. Vessels, a wooden table and a masonry hearth introduce a different scale from the extensive façades seen outside.
I took the photographs with a Canon EOS 6D at focal lengths from 17 to 40 mm. Changing light required different settings: from short exposures in the courtyard to a five-second exposure inside the church. Alongside colour photographs, I present a black-and-white view of the kitchen, in which textures and contrasts stand out more clearly. This is my view of the castle through space, light and details that are easy to overlook during a visit. You can find the settings for individual frames under the “More Info” button.
See also my photographs of Gdańsk in winter, in which historic architecture and winter landscapes meet in urban frames.
Ustroń waterfall – long exposures of the Gościradowiec cascades
The photographs of the waterfall in Ustroń show cascades of the Gościradowiec stream in the Zawodzie district. In this small gallery, I focus on water flowing over a stone ledge, its uneven surface and the surrounding greenery. Bright streams stand out against darker stones, while plants along the bank form a natural backdrop to the photographed section of the stream.
The series contains six frames taken at different focal lengths. Wider views show the cascade and its surroundings, while tighter images focus attention on the flow of water itself. I wanted to contrast its soft streaks with the distinct texture of the stationary ledge. Changing the framing reveals the same subject first as a small landscape and then as an arrangement of lines, bright patches and surfaces.
I took the photographs with a Canon EOS 6D and a polarising filter. At ISO 100 and f/16, I used exposure times of 1.6 and 5 seconds and focal lengths from 19 to 85 mm. Long exposures give the flowing water a smooth, blurred appearance that contrasts with the stones. This is my quiet view of a small cascade and the possibilities of photographing moving water. You can find the exact settings for each photograph under the “More Info” button.
See also my photographs of the Wild Waterfall in Karpacz in winter, where long exposures contrast flowing water with icicles and frozen cascades.
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