Property development photography – housing construction and cranes
In this album, I present photographs of property developments under construction. Multi-storey residential buildings, tower cranes and construction sites form a picture of emerging housing estates. Wide views show the scale of each development and its surroundings, while closer shots focus on building structures and the repeating pattern of floors.
When photographing these spaces, I pay attention to geometry: the vertical lines of cranes, horizontal floor slabs and the rhythm of openings in walls. I am also interested in how light changes the appearance of a construction site. Alongside photographs taken in daylight, I show cranes against the evening sky, when their silhouettes stand out clearly from their surroundings.
This is a photographic view of residential development, rather than simply a presentation of completed properties. The images can illustrate publications about construction, the housing market and investment projects. You will find selected photographs in the linked stock collection; you can also contact me about using a particular image.
See also my photographs of cranes in Gdańsk, in which steel structures create the rhythm of the city’s industrial skyline.
Garden photography – greenery, ornamental grasses and light
In this album, I show gardens in spring greenery and autumn colours. The photographs feature arrangements of trees and shrubs, lawns and beds of ornamental grasses. Wide views reveal the planting layout and the relationships between different parts of the garden, while closer shots draw attention to the texture of leaves and the delicate flower heads of grasses.
When photographing gardens, I look for connections between colour, form and natural light. I contrast broad green spaces with dense planting, and the soft lines of plants with the orderly arrangement of beds. The spring and autumn photographs show how the season changes the appearance and character of a garden.
These photographs can complement garden designers’ portfolios, plant nursery materials and publications about garden design.
See also my flower photographs, showing petals, leaves and small plant details in closer views.
Gondolas in Venice – photographs of moorings, boats and reflections
I dedicate this album to gondolas moored along Venetian waterfronts. Black hulls, colourful covers and wooden posts form repeated arrangements on the greenish water. Palace façades along the Grand Canal, churches and distant bell towers appear in the background, keeping the boats part of the urban landscape.
When photographing gondolas, I focused on their shapes and the rhythm of the moorings. Sometimes I chose a single boat between landing stages, at other times a row of hulls and tall posts. Reflections on the rippling water change the character of these compositions. Alongside colour photographs, I also present a black-and-white frame in which lines and contrast play a greater role.
I took the photographs with a Canon EOS R6 Mark II, and you will find their settings in the EXIF data. This is a quieter part of my view of Venice: not an account of a boat trip, but an observation of boats waiting by the shore and the architecture visible above them.
See also my photographs of Venice, showing the canals, narrow streets and architecture surrounding the gondola moorings.
Old tyres – photographs of textures, cracks and worn tread
In this album I take a close look at old tyres. Cracked rubber, worn tread grooves and dusty surfaces become the main subjects of the photographs. Some frames show the curves and openings of tyres; others focus on tiny cracks and signs of wear that form almost abstract patterns.
I was interested in the contrast between the regular shape of the object and the irregular texture of its surface. Repeated tread zigzags sit beside ragged cracks, while pale scuff marks stand out against dark recesses. Tight framing allows these fragments to be detached from their everyday function and treated as an arrangement of lines, light and shadow.
This is a series about finding a photographic subject in ordinary, worn objects. Rather than showing a tyre as a product, I look for traces of time and interesting details within it. The gallery can also provide inspiration for those seeking textures, worn materials and industrial abstraction.
See also my industrial photography gallery, in which I examine structures and technical details on a larger scale.
Cranes in Gdańsk – photographs of the shipyard and the city’s industrial skyline
In this album, I show shipyard cranes in Gdańsk against halls, quays and ships. Green steel structures and their slanting booms create a distinctive rhythm above the buildings. The gallery combines closer views of groups of cranes with wider panoramas of the city’s industrial area, photographed beneath cloudy skies.
I am interested in the geometry of these structures: vertical supports, latticework and arms crossing on successive planes. Wider frames also reveal the cranes’ surroundings, so they are not isolated objects but part of the extensive shipyard space. Subdued light emphasises their silhouettes and allows attention to focus on form.
I took the photographs with a Canon EOS 6D, combining focal lengths suited to panoramas with closer views of selected structures. You can find the settings for individual photographs in the EXIF data. This is my view of Gdańsk’s industrial landscape and of objects that can be just as interesting photographic subjects as the city’s historic streets.
See also my industrial photography gallery.
Product photography on a white background – glass and decorative objects
In this album, I present product photography created in the studio on a white background. The photographed objects include glass vases, a decanter and a porcelain figurine. The neutral surroundings focus attention on shape, colour and decoration, without additional elements distracting the eye from the object itself.
I am particularly interested in photographing glass: its transparency, sheen and the way light emphasises the edges of a vessel. In this series, I contrast smooth surfaces with more complex forms and decorative details. I try to show both the silhouette of an object and the characteristics of the material from which it was made.
Photographs on a white background can be used to present products in catalogues, online shops and promotional materials. The gallery shows my approach to studio still-life photography: simple composition and a clear presentation of detail. Selected photographs are available in the linked stock collection. You can also contact me about using a particular image.
See also my photographs of sweets, combining close-ups of decorated baked goods with studio compositions on a white background.
Colourful backgrounds – abstract photographs of oil droplets on water
The colourful backgrounds in this album were created by photographing oil droplets floating on water. Circular forms of different sizes create abstract patterns against green, yellow and blue-pink backgrounds. The series includes both compositions of tiny droplets and frames with larger circles and strong colour contrasts.
To create the photographs, I used a glass baking dish filled with water, a few drops of oil and coloured sheets of paper lit by studio lamps. By changing the position of the paper, I obtained different colour combinations beneath the layer of water. It is a simple photographic experiment in which everyday materials become the starting point for working with colour, light and shape.
I photographed with a Canon EOS 6D at a focal length of 105 mm, aperture f/4 and ISO 100. Abstract photographs like these can be used as wallpapers, website backgrounds or elements of graphic design projects. Selected images are available in the photo stock — you will find the collection link and contact details for using the photographs below.
See also my photographs in the Colours and Photographic Distortions albums — other perspectives on colour, form and photographic abstraction.
African masks – studio photography on a white background
In this album, I present studio photographs of African masks and a figurine, photographed on a white background. I focus on the objects’ forms and the details that distinguish them. The uniform surroundings allow a closer look at their outlines, proportions and surfaces without distracting elements in the background.
When photographing this series, I tried to bring out the character of each mask by showing its shape clearly. I am interested in how light and shadow emphasise an object’s three-dimensional structure and change the perception of its details. This is my photographic view of these objects, focused on their appearance and the composition of the frame.
I took the photographs with a Canon EOS 6D. You can find the settings for individual images in the EXIF data under the “More Info” button. If you are looking for photographs of masks on a white background for a publication or graphic design project, explore the linked stock collection or contact me about your chosen image.
See also my product photography gallery, showing glass and decorative objects on a white background.
Soap bubbles – macro photography on a black background
In this album, I show soap bubbles photographed close up against a black background. Their surfaces reveal colourful streaks, reflections and patterns that give each image a different character. The dark surroundings emphasise the outlines of the bubbles and focus attention on the colours and tiny details of their surfaces.
In this series, I am interested in the combination of a simple spherical form with the changing patterns visible on it. Macro photography offers a closer look at these details and turns the bubble into the subject of an abstract composition. Instead of elaborate staging, I use the contrast between bright reflections and the black background.
I took the photographs with a Canon EOS 6D; you can find the settings for individual frames under the “More Info” button. Bubble photographs can be used as backgrounds, wallpapers or elements of graphic design projects. Selected images are available in the linked stock collection. You can also contact me if you would like to use a particular photograph.
See also my abstract photographs of oil droplets on water, in which colour, light and circular forms create different compositions.
Photographic distortions – tiny planets and abstractions in Photoshop
In this album, I show the results of transforming photographs with the “Polar Coordinates” filter in Photoshop. An ordinary frame becomes the starting point for a circular composition. One example is a yellow field surrounded by blue sky that resembles a tiny planet after editing.
I am interested in changing the way we look at a familiar subject. Lines and surfaces visible in the photograph are arranged around the centre of the image, creating new proportions and rhythms. Colour and texture remain connected to the original photograph, but its space takes on a completely different form.
This is a series of experiments with digital photo editing and photographic abstraction. The gallery presents finished results rather than instructions for using the filter. If you are looking for similar subjects for a graphic design project, explore the related albums below or contact me about a selected photograph.
See also my photographs in the Colourful Backgrounds and Colours albums — from abstract compositions to the colours of everyday objects.
Christmas decorations – studio photography of festive ornaments
In this album, I present studio photographs of Christmas decorations. Baubles, figurines, candles and green branches form small festive compositions. The photographed subjects include a wreath of evergreen branches, a transparent ornament and a Santa Claus figurine. Bringing these objects together offers a closer look at both the overall arrangement and its details.
When photographing them, I pay attention to the shapes of ornaments, the textures of materials and reflections of light. Working in the studio allows me to organise the composition and show small elements that are easy to overlook among Christmas decorations. It is a view of Christmas through the objects that create its atmosphere at home.
The gallery can provide inspiration for your own arrangements or a starting point when choosing photographs for a festive project. If you are interested in using a particular photograph in a publication, on a website or in promotional materials, explore the photo stock or contact me.
See also my photographs of sweets, including decorated gingerbread and festive motifs.
Photographic miscellany – details, abstractions and the night sky
This album brings together photographs that I have not assigned to a single themed series. They share a curiosity about colour, texture and unexpected compositions. Alongside a blurred abstraction in shades of blue and green, I show cracked glass against the sky, walls covered in handwritten messages and colourful wooden pallets.
Ordinary objects become the main subject of a photograph here. I photograph padlocks on a railing in colour and black and white, and isolate part of a jet aircraft and stairs seen from below against the sky. A night photograph featuring the band of the Milky Way takes a different direction — rather than a small detail, attention is drawn to a vast space filled with stars.
This is a place for individual observations and photographic experiments, rather than a story about one location. I bring together different scales and ways of seeing: from close views of surfaces to the night sky. You can check the settings used for individual photographs under the “More Info” button.
See also my abstract photographs of oil droplets on water, in which colour, light and the arrangement of small forms create a separate photographic series.
Sweets photography – macarons, gingerbread and decorated cakes
I photograph sweets with attention to colour, shape and small decorations. In this gallery, colourful macarons sit alongside iced gingerbread, meringues and a decorated cake. Close-ups show the texture of biscuits, layers of cream and icing sugar, while wider frames reveal complete compositions.
The album combines studio photographs on a white background with views of macarons in a display window. In the first images, the bright surroundings emphasise the outlines of baked goods and details of icing. In the others, repeating rows of biscuits and bands of yellow, green, pink and blue form the subject. These are two different ways of showing sweets: as an individual product and as a colourful arrangement of many elements.
I photographed star- and Christmas-tree-shaped gingerbread on a still-life photography table. The other photographs include a cake with figurines and meringues in a decorative goblet. I took the photographs with Canon EOS 6D and Canon EOS R6 Mark II cameras; you can find the settings for individual frames under the “More Info” button.
See also my product photography gallery, in which I show glass and decorative objects on a white background.
Transport – photographs of cars, ships and working vehicles
Transport in my photographs is not only about vehicles in motion, but also their shapes, colours and place in the surrounding space. In this gallery, I have collected photographs of a classic Fiat 500, an old-style bus, tractors, a railway carriage and vessels.
The small Fiat appears both outside a building with green shutters and against a uniform background that highlights its silhouette. Red tractors stand on sand, surrounded by a trailer, a hut and hanging nets. An old carriage on grass beside railway tracks shows another side of technology — an object that retains its character even while stationary.
The maritime part of the album includes a work vessel on the water, boats moored in a harbour and close-ups of a white hull and its reflection. Here I am interested in structural lines, the contrast between bright surfaces and dark water, and the relationship between a vehicle and the landscape. Alongside wider views, I include details that offer a less obvious view of familiar objects.
The photographs were taken with Canon EOS 6D and Canon EOS R6 Mark II cameras and an iPhone 14 Pro. The varied images share an interest in the form and everyday use of vehicles. I invite you to explore the gallery and compare land transport with harbour subjects.
See also my photographs of cranes in Gdańsk, showing industrial structures and the city’s harbour landscape.
Gliwice Radio Station – photographs of the wooden tower by day and night
In this gallery, Gliwice Radio Station is above all a photographic subject: a wooden structure, the rhythm of intersecting beams and a silhouette that changes with the light. I show the tower in daylight against clouds and at night, when illumination draws its lattice structure out of the dark sky. Alongside wide views are close-ups of platforms, antennas and the summit.
Photographing upwards from the base, I looked for frames that emphasised converging lines and the scale of the structure. In some photographs, the beams create an almost symmetrical arrangement; in others, an oblique perspective gives the structure dynamism. Wider views also show the radio station’s surroundings: green space, a path, benches and street lamps. This allows architectural details to be compared with views of the whole tower.
The night photographs have a different character. Illuminated wood and bright points of light stand out clearly against the background, while coloured light at the base adds another accent. I took the photographs in this album with Canon EOS 6D and Canon EOS R6 Mark II cameras. For the night series, I used 30-second exposures; changing the focal length allowed me to move from the complete silhouette to parts of the structure. You can find the settings for each frame under the “More Info” button.
See also my photographs of cranes in Gdańsk, in which technical structures, their geometry and silhouettes become the main subject of the urban landscape.
Industrial sites – photographs of ports and cargo-handling installations
In this gallery, I show the industrial landscape of ports: cranes, conveyors, storage yards and ships alongside quays. The photographs include tanks at the LNG terminal in Świnoujście and extensive cargo-handling installations. Wide frames reveal the scale of these facilities, while closer views show the arrangement of steel structures and equipment.
In industrial photography, I look above all for rhythm, geometry and the relationship between a structure and its surroundings. The vertical silhouettes of cranes contrast with the waterline, while a network of conveyors organises the terminal space. Daytime and evening photographs show how light changes the perception of the same functional architecture.
I took the photographs with a Canon EOS 6D. You can check the settings for individual images in the EXIF data available beside the photographs. The album is also intended for people looking for illustrations of business, port and logistics topics. To use a selected image in a trade publication or another project, explore the photo stock and contact me.
See also my photographs of cranes in Gdańsk, showing shipyard structures and their place in the city skyline.
Colours – photographs of sweets and Christmas market details
Colourful lollipops, dried fruit and decorated gingerbread form this small gallery of photographs from the Christmas market in Wrocław. Instead of wide views of stalls, I show selected details: combinations of colours, repeating shapes and differences in texture. Ordinary products become photographic subjects in which colour is as important as the object itself.
Several photographs of lollipops allow a comparison of how a frame is composed and a subject isolated from its surroundings. Alongside them are dried fruit and gingerbread in the shapes of hearts and figures, hanging from colourful strings. A change of subject also brings a change of surface: from smooth sweets to delicate decorations on baked goods. These details give the series its festive character, without the need to show the whole market.
I took the photographs with a Canon EOS 6D, using focal lengths from 115 to 200 mm. The gallery includes photographs taken at both f/2.8 and f/8 — different depths of field help direct attention to a single detail or a larger part of the composition. This is my photographic view of the colours of everyday objects and the rhythm of festive decorations. You can check the settings for each image under the “More Info” button.
See also my Colourful Backgrounds and Photographic Distortions albums, in which I experiment with colour, light and form.
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